Echo Soho | 16-19 October, 2025
Our booth brings together a group of young, emerging artists whose practices are interwoven with their everyday lives, observations and surroundings. Their works reflect a shared attentiveness to the quiet, often fleeting details that shape human experience, whether found in the landscape, the body or the residue of daily life.
Among them, Willa Hilditch transforms fragments of the everyday into poetic constructions that reflect on memory and constructed space; Jameela Stenheden Gordon-King, a recent Slade graduate, explores gesture, ritual and ancestral connection through oil and natural materials; and Iola Lawton documents transient moments through photography and sculpture, using found materials to reflect on time and transformation. Collectively, these artists embody a sensitive, grounded approach to making, one that emerges not apart from life, but directly through it.
Iola Lawton is a London-based artist working primarily in photography and sculpture. Her practice focuses on documenting the world through observation, translating fleeting moments and memories into visual form.
Jameela Stenheden Gordon-King is a London based painter, recently graduated at Slade School of Fine Art with a Master’s degree, and Glasgow School of Art back in 2022.
Amata Benedict is an artistic partnership who create art and interiors based on the principles of the renaissance ‘bottega’ workshop. A place where disparate disciplines merge to create artworks that integrate the space between the artefact, the functional object and a work of art. They make pieces from pre-existing things, often using fragments of used textiles, deconstructed and reconfigured furniture as well as fabricating metal sculptures and building with clay. They create works inspired by ancient art to everyday contemporary household objects.
Willa Hilditch lives and works in London. She works between mediums and primarily from observation.
In Hilditch’s work she considers the ephemeral by-products of our routines as observed on walks through London. Discarded rubbish, residual marks left on surfaces and redundant cable wiring protruding from walls have all served as reference points in her work. Once in the studio she makes crude paper maquettes referencing the objects that she has seen. Arrangements of these paper forms and cut-outs are the subject for her drawn or painted still life. Her work has a warped sense of space with the only tell-tale signifier of scale being a staple, piece of tape or nail.